{"id":6073,"date":"2021-05-09T08:32:41","date_gmt":"2021-05-09T08:32:41","guid":{"rendered":"https:\/\/viajezapatista.eu\/cast-treti-poslani\/"},"modified":"2021-05-09T08:32:42","modified_gmt":"2021-05-09T08:32:42","slug":"cast-treti-poslani","status":"publish","type":"post","link":"https:\/\/viajezapatista.eu\/cs\/cast-treti-poslani\/","title":{"rendered":"\u010c\u00c1ST T\u0158ET\u00cd: POSL\u00c1N\u00cd"},"content":{"rendered":"\n

P\u0159e\u010dt\u011bte si p\u016fvodn\u00ed publikaci v Enlace Zapatista<\/a><\/span><\/span><\/span><\/p>\n\n

\u010c\u00c1ST T\u0158ET\u00cd: POSL\u00c1N\u00cd<\/p>\n\n

O tom, jak se Defensa Zapatista sna\u017e\u00ed vysv\u011btlit Eperanze, co je posl\u00e1n\u00edm zapatismu, a dal\u0161\u00ed vesel\u00e9 \u00favahy.<\/p>\n\n

\u201e<\/span><\/span>Tak, a te\u010f ti vysv\u011btl\u00edm n\u011bco velice d\u016fle\u017eit\u00e9ho. Ale ned\u011blej si pozn\u00e1mky, je pot\u0159eba, aby sis to ulo\u017eila do pam\u011bti. Proto\u017ee z\u00e1pisn\u00edk \u010dlov\u011bk snadno n\u011bkde zapomene, ale hlavu, tu s sebou nos\u00ed\u0161 po\u0159\u00e1d.“<\/span><\/span><\/i><\/p>\n\n

Defensa Zapatista p\u0159ech\u00e1z\u00ed ze strany na stranu, tak jak to d\u011blal zesnul\u00fd Marcos, kdy\u017e vysv\u011btloval n\u011bco velmi d\u016fle\u017eit\u00e9ho. Esperanza sed\u00ed na kmeni padl\u00e9ho stromu, pod zadek si proz\u00edrav\u011b polo\u017eila kus igelitu; kmen je toti\u017e vlhk\u00fd, porostl\u00fd mechem, houbami a such\u00fdmi v\u011btvi\u010dkami.<\/p>\n\n

\u201e<\/span><\/span>Mysl\u00ed\u0161, \u017ee je mo\u017en\u00e9 vid\u011bt, kam <\/i>dojdeme<\/i> n<\/i>a\u0161\u00edm<\/i> boj<\/i>em<\/i>?“<\/i>, vyprav\u00ed ze sebe Defensa Zapatista a mal\u00fdma ru\u010di\u010dkama p\u0159itom ukazuje nezn\u00e1mo kam.<\/p><\/p>\n\n

Esperanza prom\u00fd\u0161l\u00ed odpov\u011b\u010f, ale je z\u0159ejm\u00e9, \u017ee Defensa Zapatista polo\u017eila \u0159e\u010dnickou ot\u00e1zku, co\u017e znamen\u00e1, \u017ee ji nezaj\u00edm\u00e1 odpov\u011b\u010f, ale dal\u0161\u00ed ot\u00e1zky, kter\u00e9 z t\u00e9 prvn\u00ed vypl\u00fdvaj\u00ed. Defensa Zapatista si mysl\u00ed, \u017ee t\u00edm n\u00e1sleduje v\u011bdeckou metodu.<\/p>\n\n

\u201eNejde ani tak o to kam doj\u00edt, sp\u00ed\u0161 o to naj\u00edt cestu. Proto\u017ee kdy\u017e tam \u017e\u00e1dn\u00e1 cesta nevede, pak je pot\u0159eba ji vytvo\u0159it, jinak to nejde,“ oh\u00e1n\u00ed se d\u00edvka ma\u010detou. T\u011b\u017eko \u0159\u00edct kde ji vzala, ale jsem si jist\u00fd, \u017ee ji n\u011bkdo n\u011bkde postr\u00e1d\u00e1. <\/p>\n\n

\u201eTak\u017ee n\u00e1\u0161 probl\u00e9m se zm\u011bnil, co n\u00e1s te\u010f zaj\u00edm\u00e1 nejv\u00edce je tedy cesta. Proto\u017ee, kdy\u017e tam, kam chceme j\u00edt, nevede \u017e\u00e1dn\u00e1 cesta, mus\u00edme to n\u011bjak vy\u0159e\u0161it. Co tedy budeme d\u011blat kdy\u017e nevede \u017e\u00e1dn\u00e1 cesta tam, kam chceme j\u00edt?“<\/p>\n\n

Esperanza sebev\u011bdom\u011b odpov\u00ed: \u201ePo\u010dk\u00e1me, a\u017e p\u0159estane pr\u0161et, abychom nezmokli, a\u017e tu cestu budem vytv\u00e1\u0159et.“<\/p>\n\n

Defensa se chytne za hlavu a zni\u010d\u00ed tak \u00fa\u010des, kter\u00fd ji p\u0159edt\u00edm maminka chystala nejm\u00e9n\u011b p\u016fl hodiny. \u201eNe!“<\/p>\n\n

Esperanza chv\u00edli v\u00e1h\u00e1 a nakonec se osm\u011bl\u00ed: \u201eU\u017e v\u00edm: namluv\u00edme Pedritovi, \u017ee tam, kam chceme j\u00edt, jsou karamelky, ale \u017ee tam nevede \u017e\u00e1dn\u00e1 cesta. A \u017ee prvn\u00ed, kdo cestu najde, je m\u016f\u017ee v\u0161echny sn\u00edst.“<\/p>\n\n

Defensa reaguje: \u201e<\/i><\/span><\/span>Zase <\/i><\/span><\/span>si<\/i><\/span><\/span> budeme<\/i><\/span><\/span> \u0159\u00edkat o pomoc <\/i><\/span><\/span>t\u011bm zatracen\u00fdm <\/i><\/span><\/span>mu\u017e\u016fm? Nikdy<\/i><\/span><\/span>!<\/i><\/span><\/span> Ud\u011bl\u00e1me to samy, coby \u017eeny, kter\u00fdmi jsme.<\/i><\/span><\/span>„<\/i><\/span><\/span><\/p><\/p>\n\n

\u201e<\/span><\/span>Jasn\u011b,“<\/i><\/span><\/span> \u0159\u00edk\u00e1 Esperanza, <\/span><\/span>\u201e<\/i><\/span><\/span>a <\/i><\/span><\/span>t\u0159eba tam nakonec opravdu bude \u010dokol\u00e1da.“<\/i><\/span><\/span> <\/span><\/span><\/p><\/p>\n\n

Defensa pokra\u010duje: <\/span><\/span>\u201e<\/i><\/span><\/span>Ale, co kdy\u017e se ztrat\u00edme, a\u017e budeme pro\u0161lap\u00e1vat cestu?“<\/i><\/span><\/span><\/p><\/p>\n\n

Esperanza odpov\u00edd\u00e1: <\/span><\/span>\u201e<\/i><\/span><\/span>Budeme k\u0159i\u010det o pomoc? Odp\u00e1l\u00edme n\u011bjakou rachejtli nebo zatroub\u00edme na velkou <\/i><\/span><\/span>mu\u0161li<\/i><\/span><\/span>, aby n\u00e1s sly\u0161eli ve vesnici a p\u0159i\u0161li n\u00e1s zachr\u00e1nit?“<\/i><\/span><\/span><\/p><\/p>\n\n

Defensa pochop\u00ed, \u017ee Esperanza ch\u00e1pe<\/span><\/span> t\u00e9ma p\u0159\u00edli\u0161 doslovn\u011b a nav\u00edc to vypad\u00e1, \u017ee s n\u00ed souhlas\u00ed v\u0161ichni, kdo stoj\u00ed okolo. T\u0159eba Ko\u010dkopes se mlsn\u011b olizuje p\u0159i p\u0159edstav\u011b hrnce pln\u00e9ho \u010dokol\u00e1dy na konci duhy, zat\u00edmco jednook\u00fd k\u016f\u0148 douf\u00e1, \u017ee by tam taky mohla b\u00fdt kuku\u0159ice se sol\u00ed nebo aspo\u0148 p\u0159et\u00e9kaj\u00edc\u00ed hrnec plastov\u00fdch lahv\u00ed. Calamidad nacvi\u010duje choreografii nazvanou <\/span><\/span>\u201e<\/i><\/span><\/span>pas de chocolat,“<\/i><\/span><\/span> kterou pro ni navrhl SupGaleano a kter\u00e1 spo\u010d\u00edv\u00e1 v tom, \u017ee se<\/span><\/span> <\/span><\/span>\u201e<\/i><\/span><\/span>nosoro\u017e\u010d\u00edm“<\/i><\/span><\/span> <\/span><\/span> stylem <\/span><\/span>vrh\u00e1 na hrnec.<\/span><\/span> <\/span><\/span><\/p><\/p>\n\n

El\u00edas Contreras hned na za\u010d\u00e1tku v\u00fdslechu vyt\u00e1hl piln\u00edk a brous\u00ed si svou ma\u010detu z obou stran.<\/p>\n\n

O kus d\u00e1l pak zvl\u00e1\u0161tn\u00ed tvor, n\u00e1padn\u011b podobn\u00fd broukovi a s cedul\u00ed \u201e<\/i><\/span><\/span>\u0158\u00edkejte mi I<\/i><\/span><\/span>z<\/i><\/span><\/span>mael“<\/i><\/span><\/span> v ruce, diskutuje se Star\u00fdm Antoniem<\/span><\/span> <\/span><\/span>o<\/span><\/span> v\u00fdhod\u00e1ch nepohyblivosti na pevn\u00e9 zemi a takto argumentuje: <\/span><\/span>\u201e<\/i><\/span><\/span>Ano, v\u00e1\u017een\u00fd Kvikvegu, \u017e\u00e1dn\u00e1 b\u00edl\u00e1 velryba se p\u0159\u00edstavu nep\u0159ibl\u00ed\u017e\u00ed.“<\/i><\/span><\/span> (1) <\/span><\/span>Star\u00fd domorod\u00fd zapatista, nedobrovln\u00fd u\u010ditel generace, kter\u00e1 povstala ve zbrani v roce 1994, si ubal\u00ed cigaretu a pozorn\u011b poslouch\u00e1<\/span><\/span> broukovy<\/span><\/span> argumenty.<\/span><\/span><\/p><\/p>\n\n

Hol\u010di\u010dka Defensa Zapatista si uv\u011bdomuje svou slo\u017eitou situaci, kdy je, podobn\u011b jako v\u011bda a um\u011bn\u00ed , z\u0159ejm\u011b nepochopena. Jako pas de deux<\/i> <\/span>bez<\/span> objet\u00ed usnad\u0148uj\u00edc\u00ed<\/span> pirouettes<\/i> a <\/span>bez <\/span>podpor<\/span>y<\/span> pro<\/span> port\u00e9; j<\/i>ako film uv<\/span>\u011b<\/span>zn\u011bn\u00fd v plechovce \u010dekaj\u00edc\u00ed na pohled, kter\u00fd ho vysvobod\u00ed; jako p\u0159\u00edstav bez lod\u011b; jako<\/span> <\/i>cumbia<\/i> hledaj\u00edc\u00ed boky, kter\u00e9 bude moci rozhoupat a d\u00e1t jim \u00fa\u010del; jako Cigalova konk\u00e1vn\u00ed bez konvexn\u00ed (2); jako Luz Casal cestou na sch\u016fzku sl\u00edben\u00e9 kv\u011btiny (3), Jako Louis Lingg bez punkov\u00fdch bomb (4); jako Panchito Varona hledaj\u00edc\u00ed n\u011bkde mezi akordy ukraden\u00fd duben (5), jako ska bez slamu, <\/span>jako o\u0159\u00ed\u0161kov\u00e1 zmrzlina bez Supa, kter\u00fd by j\u00ed ud\u011blil vyznamen\u00e1n\u00ed.<\/span><\/p><\/p>\n\n

Defensa je sice obrana, ale je tak\u00e9 zapatistka a tak se t\u00edm nenech\u00e1 vyv\u00e9st z m\u00edry. Se vzdorem a rebeli\u00ed hled\u00e1 pohledem pomoc Star\u00e9ho Antonia.<\/p>\n\n

\u201e<\/span><\/span>Bou\u0159e se nezastav\u00ed p\u0159ed ni\u010d\u00edm, zas\u00e1hnou mo\u0159e i zemi, oblohu i p\u016fdu. Vnit\u0159nosti Zem\u011b se sv\u00edraj\u00ed a trp\u00ed lid\u00e9, rostliny i zv\u00ed\u0159ata. Nez\u00e1le\u017e\u00ed na jejich barv\u011b, velikosti, na jejich zp\u016fsobech,“<\/i><\/span><\/span> \u0159\u00edk\u00e1 Star\u00fd Antonio tlumen\u00fdm hlasem. <\/span><\/span><\/p><\/p>\n\n

V\u0161ichni ml\u010d\u00ed, polovina z \u00facty, polovina hr\u016fzou.<\/p>\n\n

Star\u00fd Antonio pokra\u010duje: <\/span><\/span>\u201e<\/i><\/span><\/span>\u017deny a mu\u017ei se ukr\u00fdvaj\u00ed p\u0159ed <\/i><\/span><\/span>v\u011btry, de\u0161ti a zni\u010denou p\u016fdou a \u010dekaj\u00ed, a\u017e p\u0159ejdou, aby vid\u011bli, co zbylo a co je pry\u010d. Ale zem\u011b d\u011bl\u00e1 v\u00edc, p\u0159ipravuje se na pozd\u011bji, na to, co p\u0159ijde. A za\u010d\u00edn\u00e1 se m\u011bnit. Matka Zem\u011b ne\u010dek\u00e1 s rozhodov\u00e1n\u00edm, co d\u011blat, a\u017e se p\u0159e\u017eene bou\u0159e, ale rad\u011bji za\u010d\u00edn\u00e1 budovat u\u017e dlouho p\u0159edt\u00edm. Proto moud\u0159\u00ed \u0159\u00edkaj\u00ed, \u017ee r\u00e1no nep\u0159ich\u00e1z\u00ed jen tak zni\u010dehonic b\u011bhem okam\u017eiku, ale \u017ee u\u017e d\u00e1vno \u010d\u00edh\u00e1 ukryt\u00e9 ve st\u00ednech, a ti, kte\u0159\u00ed se um\u00ed d\u00edvat, ho nach\u00e1z\u00ed v trhlin\u00e1ch noci.<\/i><\/span><\/span> Proto mu\u017ei a \u017eeny kuku\u0159ice, kdy\u017e s\u00e1z\u00ed na sv\u00fdch pol\u00edch, sn\u00ed p\u0159i tom o tortil\u00e1ch, atole, pozolu, tamales a marquesote (6). Ty je\u0161t\u011b nejsou, ale oni v\u011bd\u00ed, \u017ee budou a to v\u011bdom\u00ed je vede k pr\u00e1ci. Vid\u00ed svou pr\u00e1ci a jej\u00ed plody je\u0161t\u011b dlouho p\u0159edt\u00edm, ne\u017e se sem\u00ednka dotknou p\u016fdy.<\/i><\/span><\/span><\/p><\/p>\n\n

Kdy\u017e mu\u017ei a \u017eeny kuku\u0159ice pozoruj\u00ed sv\u011bt a jeho bolesti, vid\u00ed tak\u00e9<\/i><\/span><\/span> <\/i>sv\u011bt, k<\/i>ter\u00fd<\/i> bude <\/i>pot\u0159eba vystav\u011bt<\/i> a <\/i> hledaj\u00ed k n\u011bmu cestu. Maj\u00ed t\u0159i pohledy. Jeden pro minulost; druh\u00fd pro to, co je te\u010f; t\u0159et\u00ed pro to, co p\u0159ijde. Takto v\u00ed, \u017ee s\u00e1z\u00ed poklad: pohled samotn\u00fd.“<\/i><\/p><\/p>\n\n

Defensa nad\u0161en\u011b souhlas\u00ed. Rozum\u00ed, \u017ee Star\u00fd Antonio rozum\u00ed argumentu, kter\u00fd se j\u00ed nepovedl vysv\u011btlit. Dv\u011b generace vzd\u00e1len\u00e9 v kalend\u00e1\u0159i a m\u00edst\u011b stav\u00ed most, p\u0159es kter\u00fd se d\u00e1 p\u0159ij\u00edt i odej\u00edt. Jako po cest\u00e1ch. <\/p>\n\n

\u201eSpr\u00e1vn\u011b!“, tak\u0159ka vyk\u0159ikla d\u00edvka a l\u00e1skypln\u011b pohl\u00e9dla na star\u00e9ho mu\u017ee.<\/p>\n\n

A pokra\u010duje: <\/span><\/span>\u201e<\/i><\/span><\/span>Kdy\u017e u\u017e tedy v\u00edme, kam jdeme, znamen\u00e1 to tak\u00e9, \u017ee v\u00edme, kam j\u00edt nechceme. Tak\u017ee s ka\u017ed\u00fdm krokem se vzdalujeme jedn\u00e9 cest\u011b a bl\u00ed\u017e\u00edme se k jin\u00e9. Je\u0161t\u011b tam nejsme, ale cesta, kterou jdeme, n\u00e1m ukazuje c\u00edl. Jestli chceme j\u00edst tamales, nebudeme s\u00e1zet d\u00fdn\u011b.<\/i><\/span><\/span>„<\/i><\/span><\/span><\/p><\/p>\n\n

Cel\u00e9 publikum u\u010din\u00ed pochopiteln\u00e9 gesto znechucen\u00ed nad p\u0159edstavou stra\u0161n\u00e9 d\u00fd\u0148ov\u00e9 pol\u00e9vky.<\/p>\n\n

\u201e<\/span><\/span>P\u0159e\u010dk\u00e1v\u00e1me tedy bou\u0159i s t\u00edm, co u\u017e zn\u00e1me, ale p\u0159ipravujeme se na to, co bude n\u00e1sledovat. A p\u0159ipravujeme se na to u\u017e te\u010f. Proto mus\u00edme sv\u00e9 slovo zan\u00e9st daleko. Nez\u00e1le\u017e\u00ed na tom, \u017ee ten, kdo ho vyslovil, u\u017e t\u0159eba nebude, jde o to, aby se sem\u00ednko dostalo <\/i><\/span><\/span>na \u00farodnou<\/i><\/span><\/span> p\u016fd<\/i><\/span><\/span>u<\/i><\/span><\/span> a aby se mohlo d\u00e1le rozv\u00edjet tam, kde je.<\/i><\/span><\/span> Na\u0161e slova mus\u00ed podporovat dal\u0161\u00ed. To je tedy na\u0161\u00edm posl\u00e1n\u00edm: b\u00fdt sem\u00ednky, kter\u00e1 hledaj\u00ed dal\u0161\u00ed sem\u00ednka,“<\/i><\/span><\/span> shrnula to Defensa Zapatista a s ot\u00e1zkou <\/span><\/span>\u201e<\/i><\/span><\/span>rozum\u00ed\u0161 tomu?“<\/i><\/span><\/span> se obr\u00e1tila na Esperanzu. <\/span><\/span><\/p><\/p>\n\n

Esperanza se postav\u00ed a se v\u0161\u00ed d\u016fstojnost\u00ed sv\u00fdch dev\u00edti let v\u00e1\u017en\u011b odpov\u00ed:<\/p>\n\n

\u201e<\/span><\/span>Ano, jasn\u011b \u017ee jsem pochopila, \u017ee zem\u0159eme mi<\/i><\/span><\/span>z<\/i><\/span><\/span>ernou smrt\u00ed.“<\/i><\/span><\/span><\/p><\/p>\n\n

A t\u00e9m\u011b\u0159 okam\u017eit\u011b dod\u00e1: \u201eAle ud\u011bl\u00e1me to tak, aby to st\u00e1lo za to.“<\/p>\n\n

V\u0161ichni tleskaj\u00ed.<\/p>\n\n

Aby dal v\u00fdznam slov\u016fm <\/span><\/span>\u201e<\/i><\/span><\/span>aby to st\u00e1lo za to,“<\/i><\/span><\/span> vyt\u00e1hne Star\u00fd Antonio z ta\u0161ky <\/span><\/span>pytl\u00edk \u010dokol\u00e1dov\u00fdch <\/span><\/span>\u201e<\/span><\/span>pusinek“.<\/span><\/span> <\/i><\/span><\/span><\/p><\/p>\n\n

Ko\u010dkopes jich prackou hned n\u011bkolik uko\u0159ist\u00ed, jednook\u00fd k\u016f\u0148 se rad\u011bji dr\u017e\u00ed sv\u00e9 plastov\u00e9 lahve.<\/p>\n\n

El\u00edas Contraras z vy\u0161et\u0159ovac\u00ed komise EZLN zopakuje tich\u00fdm hlasem: \u201e<\/i><\/span><\/span>ud\u011bl\u00e1me to tak, aby to st\u00e1lo za to<\/i><\/span><\/span>,<\/i><\/span><\/span>„<\/i><\/span><\/span> a s l\u00e1skou si vzpomene na bratra Samira Florese a na ty, kte\u0159\u00ed, ozbrojeni jen svou d\u016fstojnost\u00ed, \u010del\u00ed u\u0159van\u00e9mu zlod\u011bji vody a \u017eivota, jen\u017e se schov\u00e1v\u00e1<\/span><\/span> za zbran\u011bmi dozorce, toho, kter\u00fd se sv\u00fdm bl\u00e1bolen\u00edm sna\u017e\u00ed zakr\u00fdt vlastn\u00ed slepou poslu\u0161nost nejvy\u0161\u0161\u00edmu V\u016fdci: nejd\u0159\u00edv pen<\/span><\/span>\u011b<\/span><\/span>z\u016fm, pak dal\u0161\u00edm pen\u011bz\u016fm a pen\u011bz\u016fm na konec. \u017d\u00e1dn\u00e1 spravedlnost, \u017e\u00e1dn\u00e1 svoboda a ani \u017e\u00e1dn\u00fd \u017eivot.<\/span><\/span><\/p><\/p>\n\n

Brouk<\/span><\/span> z<\/span><\/span>a\u010d\u00edn\u00e1 vypr\u00e1v\u011bt o tom, jak ho \u010dokol\u00e1dov\u00e1 ty\u010dinka zachr\u00e1nila od smrti v sibi\u0159sk\u00e9 stepi,<\/span><\/span> cestou ze zem\u011b<\/span><\/span> S<\/i><\/span><\/span>\u00e1m\u016f<\/i><\/span><\/span> (7) – kde zp\u00edval<\/span><\/span> Yoik<\/i><\/span><\/span> (8) – na \u00fazem\u00ed <\/span><\/span>Selkup<\/i><\/span><\/span>\u016f<\/i><\/span><\/span> <\/i><\/span><\/span>(9), kam p\u0159i\u0161el uct\u00edt cedr, strom \u017eivota. <\/span><\/span>\u201e<\/i><\/span><\/span>\u0160el jsem se u\u010dit, v\u017edy\u0165 od toho jsou cesty. Proto\u017ee<\/i><\/span><\/span> <\/i><\/span><\/span>vz<\/i><\/span><\/span>poury a rebelie nejsou m\u00e9n\u011b d\u016fle\u017eit\u00e9 a hrdinsk\u00e9 jen proto, \u017ee jsou daleko,“<\/i><\/span><\/span> \u0159\u00edk\u00e1, zat\u00edmco se sna\u017e\u00ed sv\u00fdmi mnoha no\u017ei\u010dkami vysvobodit z alobalov\u00e9ho v\u011bzen\u00ed kus \u010dokol\u00e1dy. Zatlesk\u00e1<\/span><\/span> a<\/span><\/span> zhltne ho, oboje ve stejnou chv\u00edli.<\/span><\/span><\/p><\/p>\n\n

Calamidad pochopila, \u017ee je pot\u0159eba p\u0159em\u00fd\u0161let nad t\u00edm, co p\u0159ijde, a tak s ru\u010dkama umazan\u00fdma od \u010dokol\u00e1dy nad\u0161en\u011b zvolala: \u201eJdem si hr\u00e1t s pra\u017eenou kuku\u0159ic\u00ed!“ <\/p>\n\n

-*-<\/i><\/p><\/p>\n\n

Ze Zapatistick\u00e9ho centra pro n\u00e1mo\u0159n\u00ed a pozemsk\u00fd v\u00fdcvik <\/p>\n\n

El SupGaleano vedouc\u00ed workshop \u201e<\/span><\/span>Internacionalistick\u00e9ho<\/span><\/span> blit\u00ed<\/i><\/span><\/span>„<\/span><\/span><\/p> \n

Mexiko, prosinec 2020<\/span><\/p><\/p>\n\n

Z den\u00edku Ko\u010dkopsa:<\/b><\/span><\/span> Poklad je to jin\u00e9<\/span><\/span><\/p><\/p>\n\n

\u201e<\/span><\/span>Kdy\u017e skon\u010dil, pod\u00edval se na m\u011b sv\u00fdm jedin\u00fdm okem a pravil: <\/span><\/span><\/i>,o\u010dek\u00e1val jsem v\u00e1s, Done Durito. <\/span><\/span>V\u011bzte, \u017ee jsem posledn\u00edm opravdov\u00fdm \u017eij\u00edc\u00edm pir\u00e1tem na sv\u011bt\u011b. \u0158\u00edk\u00e1m <\/span><\/span><\/i>,opravdov\u00fdm,‘<\/span><\/span> proto\u017ee dnes tu m\u00e1me spoustu <\/span><\/span><\/i>,pir\u00e1t\u016f,‘<\/span><\/span> kte\u0159\u00ed kradou, zab\u00edj\u00ed, ni\u010d\u00ed a drancuj\u00ed ze sv\u00fdch finan\u010dn\u00ed center a velk\u00fdch vl\u00e1dn\u00edch pal\u00e1c\u016f ani\u017e by se dotkli vody, kdy\u017e nepo\u010d\u00edt\u00e1me tu v jejich v\u00ed\u0159ivk\u00e1ch. Toto je va\u0161e posl\u00e1n\u00ed (a p\u0159ed\u00e1v\u00e1 mi star\u00fd pergaminov\u00fd svitek). Najd\u011bte poklad a uschovejte ho na bezpe\u010dn\u00e9m m\u00edst\u011b. Te\u010f m\u011b omluvte, ale mus\u00edm zem\u0159\u00edt.<\/span><\/span>‚ S posledn\u00edm slovem nechal star\u00fd pir\u00e1t spadnout svou hlavu na st\u016fl. Ano, byl mrtv\u00fd. Papou\u0161ek zam\u00e1val k\u0159\u00eddly a vylet\u011bl oknem se slovy ,Mrtv\u00fd je vyhnanec Mytilene, mrtv\u00fd bastard – syn ostrova Lesbos, mrtv\u00e1 je p\u00fdcha Egejsk\u00e9ho mo\u0159e. <\/span><\/span>Otev\u0159i sv\u00fdch 9 br<\/span><\/span>an, <\/span><\/span>ob\u00e1van\u00e9 peklo, a nech v sob\u011b spo\u010dinout velk\u00e9ho Barbarossu. <\/span><\/span>N<\/span><\/span>a\u0161el <\/span><\/span>ji\u017e toho<\/span><\/span>, kdo bude nyn\u00ed kr\u00e1\u010det v jeho \u0161l\u00e9p\u011bj\u00edch<\/span><\/span>.<\/span><\/span> Sp\u00ed ji\u017e ten, pro kter\u00e9ho byl oce\u00e1n po<\/span><\/span>u<\/span><\/span>hou slzou,<\/span><\/span> pod \u010dern\u00fdm \u0161t\u00edtem vypluje nyn\u00ed hrdost opravdov\u00fdch pir\u00e1t\u016f.‘ Za okny se t\u00e1hnul \u0161v\u00e9dsk\u00fd p\u0159\u00edstav<\/span><\/span> <\/span><\/span><\/span><\/span>G\u00f6teborg a n\u011bkde v d\u00e1lce plakala nyckelharpa (1<\/span><\/span><\/span><\/span>0<\/span><\/span><\/span><\/span>).“<\/span><\/span><\/span><\/span><\/i><\/p><\/p>\n\n

Don Durito de la Lacandona, \u0159\u00edjen 1999.<\/span><\/span><\/span><\/p> \n

poznamky p\u0159ekladatele:<\/p> \n

1. \u201e<\/i>\u0158\u00edkejte mi Izmael“ je prvn\u00ed v\u011btou zn\u00e1m\u00e9ho rom\u00e1nu Hermana Melvilla B\u00edl\u00e1 velryba. Kvikveg je dal\u0161\u00ed postavou v knize. Comandante Ismael byl pak jedn\u00edm ze zakl\u00e1daj\u00edc\u00edch \u010dlen\u016f EZLN, shodou okolnost\u00ed zem\u0159el<\/i> 20.1.2021,<\/i> m\u011bs\u00edc po vyd\u00e1n\u00ed tohoto textu<\/i> a v den jeho p\u0159ekladu do \u010de\u0161tiny.<\/i><\/span><\/span><\/span><\/p> \n

2. Concavo y convexo<\/i> (konk\u00e1vn\u00ed a konvexn\u00ed) je n\u00e1zev milostn\u00e9 p\u00edsn\u011b zn\u00e1m\u00e9ho zp\u011bv\u00e1ka flamenca Diega el Cigaly.<\/span><\/span><\/span><\/p> \n

3. La flor prometida <\/i>(Sl\u00edben\u00e1 kv\u011btina) je p\u00edsn\u00ed \u0161pan\u011blsk\u00e9 pop zp\u011bva\u010dky Luz Casal.<\/span><\/span><\/span><\/p> \n

4. Louis Lingg and the bombs<\/i> je francouzsk\u00e1 anarchopunkov\u00e1 kapela pojmenovan\u00e1 po chicagsk\u00e9m anarchistovi Louisi Linggovi, odsouzen\u00e9m v roce 1887 k smrti za v\u00fdrobu bomb pou\u017eit\u00fdch b\u011bhem nepokoj\u016f na Haymarket Square. Lingg sp\u00e1chal ve v\u011bzen\u00ed sebevra\u017edu za pomoci v\u00fdbu\u0161nin.<\/span><\/span><\/span><\/p> \n

5. Qui\u00e9n me ha robado el mes de abril <\/i>(Kdo mi ukradl m\u011bs\u00edc duben) je p\u00edse\u0148 zn\u00e1m\u00e9ho \u0161pan\u011blsk\u00e9ho producenta Panchita Varony zp\u00edvan\u00e1 hudebn\u00edkem Joaqu\u00ednem Sabinou.<\/span><\/span><\/span><\/p> \n

6. tradi\u010dn\u00ed mexick\u00e9 pokrkmy z kuku\u0159ice<\/span><\/span><\/span><\/p> \n

7. Sami <\/i>jsou domorod\u00ed lid\u00e9, kte\u0159\u00ed tradi\u010dn\u011b ob\u00fdvaj\u00ed \u00fazem\u00ed dne\u0161n\u00edho severn\u00edho Norska, \u0160v\u00e9dska, Finska a Ruska. V \u010ce\u0161tin\u011b jsou zn\u00e1m\u00ed jako S\u00e1mov\u00e9 nebo tak\u00e9 Laponci.<\/span><\/span><\/span><\/p> \n

8. Yoik<\/i> je tradi\u010dn\u00ed forma zp\u011bvu S\u00e1m\u016f.<\/span><\/span><\/span><\/p> \n

9. Selkupov\u00e9<\/i> jsou p\u016fvodn\u00ed lid\u00e9 \u017eij\u00edc\u00ed na \u00fazem\u00ed dne\u0161n\u00edho Ruska, jejich tradi\u010dn\u00ed \u00fazem\u00ed le\u017eelo mezi \u0159ekami Ob a Janisej. Stromy hraj\u00ed v jejich mytologii d\u016fle\u017eitou roli.<\/span><\/span><\/span><\/p> \n

10. nyckelharpa<\/i> – tradi\u010dn\u00ed \u0161v\u00e9dsk\u00fd hudebn\u00ed n\u00e1stroj<\/span><\/span><\/span><\/p><\/p>\n\n

Sekce: T\u0159i bludy, dv\u011b skupiny a vzbou\u0159enec.<\/span><\/span><\/span><\/h4>\n\n

Pokud se vyd\u00e1me po trase admir\u00e1la Maxo, mysl\u00edm, \u017ee se tam dostaneme rychleji, kdy\u017e projdeme Beringovou \u00fa\u017einou<\/span><\/span><\/span><\/h4>\n
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